The Cinematographer and 3D - Part One
Runtime: 07:49 - Watch

• Kristin Petrovich, President of HD EXPO introduces the panel
  
• Doug Bankston of American Cinematographer begins the panel
  
• Peter Anderson, ASC gives a brief history of 3D and 4D

The Cinematographer and 3D - Part Two
Runtime: 07:09 - Watch

• Are new 3D projects riding the digital wave?
• Peter gives a breakdown of how 3D projection works
• It is getting easier to show 3D

The Cinematographer and 3D - Part Three
Runtime: 06:45 - Watch

• Question - How is the rhythm of 3D films different from traditional films?
  
• To make 3D work, filmmakers must adjust shots to make cuts pleasant to the viewers' eyes
  

The Cinematographer and 3D - Part Four
Runtime: 06:54 - Watch

• Peter discusses filming U2 in 3D and the complications of filming 3D

The Cinematographer and 3D - Part Five
Runtime: 04:47 - Watch

• How 3D helps build a seamless emotional experience
  

The Cinematographer and 3D - Part Six
Runtime: 08:47 - Watch

• New digital tools for 3D post
  
• Can some of the work of 3D filming now be put off until post?
  
• Peter discusses the shifting of focus in post
  
• Different camera configurations
  
• Filming the IMAX release Wild Ocean

The Cinematographer and 3D - Part Seven
Runtime: 06:32 - Watch

• Question - Why shoot in 3D?

The Cinematographer and 3D - Part Eight
Runtime: 08:32 - Watch

• Why filmmakers must be careful with resolution in 3D cameras

The Cinematographer and 3D - Part Nine
Runtime: 06:14 - Watch

• Question - Can you can window in 3D?
  
• Will 3D continue to move away from gimmick and integrate with story telling?

The Cinematographer and 3D - Part Ten
Runtime: 06:48 - Watch

• Q&A
  
• Does the process need reworking when something shot for large format is then distributed on small format?