Jenny Fulle of The Creative-Cartel discusses a new pipeline for 3D rendering.

Fire and 3D conversions generally don’t mix.  This was the problem Jenny Fulle and her visual effects and animation production services company, The Creative-Cartel, were faced with on “Ghost Rider: Spirit of Vengeance.”   In order to create a realistic appearance to the flames the engulf Ghost Rider’s head, Fulle and her team created a innovative hybrid pipeline that allowed the primary visual effects company (Iloura) and the 3D conversion company (Gener8) optimized quality and maximized the budget.  411 Publishing recently spoke with Jenny Fulle to discuss how the hybrid pipeline created a rich, fully dimensional image with fire that until this point has only been achieved by shooting with 3D cameras.

411:  The Creative-Cartel has developed a different type of pipeline that helps the visual effects company and the 3D conversion company maximize what they are doing and create the best type of stereography for the movie. Before we speak about that, I wanted to ask what happens currently, what is the system for creating that stereographic effect?

Read the full interview here.

Photo courtesy of: Jess Pinkham