U.S. Puts Forth Strong Presence at Cannes
Presenting five out of 22 films vying for the Festival's most prized prize, the Palme D'Or, the U.S. is enjoying its strongest showing in years as the red carpets prepare to roll in Cannes. Even with some notable names missing from the roster, there's little doubt that this is a great presentation... Read more..
Visual Style And Gripping Stories Are "Pitch" Perfect
AMC's new series elevates the reality genre
The non-fiction series is not a new venture for AMC. They’ve previously aired "The Talking Dead," a half hour companion piece to their popular drama "The Walking Dead," and "Comic Book Men," the Kevin Smith series that explores the inner... Read more..
Video: The Immersive Dome Experience
Video: Visions of Oscar with Jeff Cronenweth, ASC
In a rare one-on-one, Jeff Cronenweth, ASC shares his point of view and experiences as one of the most sought after collaborators. Cronenweth is nominated for an Academy Award in Cinematography for the second time in two... Read more..
Going Behind the Plastic Sheeting with Director-DP Romeo Tirone
Written by Christine Purse
Shooting and directing “Dexter”.
This interview was originally published on Createasphere.com in January, 2011.
Romeo Tirone has enjoyed a stellar career as a cinematographer, and has transitioned to some very exciting directing duties on “Dexter” and “True Blood.”
Createasphere: You have been shooting high-profile television and music video projects for over a decade. What was it like to make a transition to director?
Romeo: I have always been interested in directing, and the transition from DP to Director has been almost seamless.
As a DP I have been lucky to work with so many great directors, and I apply everything I have learned from them when I direct. My experience as a DP helps me to streamline the logistics of shooting and blocking when I direct. I think it would be intimidating to walk on a set and direct without understanding the inner working of the set as a DP.
Createasphere: You worked on a number of high-profile music videos for major artists (e.g., Red Hot Chili Peppers, TuPac). How have those videos contributed to your skills and creativity?
Romeo: I started shooting music videos at a time when it was not formed into the industry that it is today. I had freedom to experiment and make mistakes without grave consequences. That freedom gave me the courage to try new things without fear. I carry that attitude still.
Createasphere: What was your first thought when you read the script and were offered “Dexter?”
Romeo: I've shot all of the episodes of “Dexter” except for seven, and I directed three of those. When I was offered the job, I wondered how is an audience going to relate to and be sympathetic to a serial killer? After seeing Michael C. Hall in the pilot I realized it all rested on him and he has done an outstanding job. He has achieved something wonderful, and has made “Dexter” a compelling character.
Createasphere: You have gotten to work with some very talented actors on “Dexter” – the regular cast is outstanding and there are world-class visiting actors like John Lithgow. Do you ever think "wow.... that's John Lithgow I am directing”?
Romeo: Every day I go to set I think WOW. I am truly a fan of the show and I am so very lucky and honored to work with such an excellent cast and crew. John Lithgow was a pleasure. He is a wonderful actor and an even better person.
Createasphere: Do you have any advice to anyone who wants to follow in your footsteps?
Romeo: Shoot, shoot and shoot some more. Be bold, have no fear and "Make Your Days".
Get more inspiration at Createasphere’s Entertainment Technology Expo November 2-3 in Burbank.
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Are You Ready to Create 3D Movies?
Panelists: Dimitris Athos, 3D Stereoscopic Producer, UVPHACTORY; Jan Crittenden Livingston, Product Line Business Manager for AVCCAM and 3D camcorders, Panasonic Broadcast; Christopher Crescitelli, HELLO!, 3D Creative Director; Mark Pederson, Founder of OFFHOLLYWOOD and producer of 3D movies; Geoff Boyle, cinematographer of 3D movies; Robert Willox , Director of 3D Business Development, Sony; and Jerome Thelia, Colorist, Visual Effects Artist, Stereographer. Moderated by Nick Dager, IndieFilm3D and Digital Cinema Report publisher, filmmaker and journalist.
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Tom Houghton, ASC discusses shooting Rescue Me

As the final season of FX's Rescue Me airs this summer, watch the video of DP Tom Houghton, ASC discussing his experience shooting the hit series. Tom and American Cinematographer writer Iain Stasukevich break down Tom's methods and stories for the sixth season.
Written on Wednesday, 20 October 2010 15:06 in Panels
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KEYNOTE: Alex Grossman, Active Storage The Evolution of DAM
The increased demands on the creative process - 2K/4K and beyond - have put dramatic pressure on DAM to respond with constantly improving performance and flexibility. To help drive DAM's smart evolution, manufacturers and users must be willing to work closely to embrace new standards and techniques.
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AVATAR - Finishing the pinnacle of 3D Movies
Joyce Cox, Visual Effects Producer, Skip Kimball, DI Colorist, ModernVideoFilm, Christopher Marino, Visual Effects Editor, John Refoua, ACE, editor, Stephen Rivkin, ACE, editor, Janace Tashjian, Associate Producer, Moderator: Dan Restuccio, POST, West Coast Editor of POST Magazine.
Written on Monday, 07 June 2010 18:03 in Panels
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A Keynote Conversation with Oscar Winner Wally Pfister
Three-time Oscar nominee Wally Pfister, ASC ("Dark Knight," "The Prestige," "The Italian Job") will discuss the art, craft and realities of storytelling from behind the camera and beyond. Moderated by: Peter Caranicas, Managing Editor, Variety.
Written on Monday, 26 April 2010 17:04 in Panels
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