3D Film Production Workshop | Geoff Boyle | Lucas Wilson

3D Production Workshop Instructors

Bob Kertesz has been a partner and chief technical guru at BlueScreen LLC for several decades. He and the company specialize in high end compositing of live images for episodic television, sports, commercials, industrials, and video games, as well as on-set previz for composite lineup. Additionally, Bob has spent more than 30 years doing video engineering, video control, and DIT work on thousands of projects, and has shot 3D projects with both the Pace and 3ality rigs for Sony Pictures, Sony Imageworks, James Cameron, Georgia Pacific, the Hollywood Sign Trust, and others.

Dave Gregory is an Independent Filmmaker and Stereographer who began his Hollywood career in 1974 as a Special Optical Effects Cameraman & Supervisor.

Over the years, he has contributed to the visual effects in the "original" STAR WARS feature, composited blue screen shots for STAR TREK THE MOTION PICTURE, designed & executed effects for HANGAR 18, and supervised optical effect composites for LEAPIN' LEPRECHAUNS, COMMUNION, and THE ARRIVAL.

Dave has been shooting Stereoscopic images since 1983 and, in 2008, was the 3D DP/Operator for the "pilot" of the documentary RUNNING WITH THE BULLS -- which has continued to shoot in Spain each year with varying crews.

Early this year, Mr. Gregory was Stereographer for the 3D sequences in Philippe Mora's new mockumentary, THE GOD PROJECT. He was the Supervising Stereographer on AIX Records' HD-3D BluRay Album Series which featured Rita Coolidge and was shot with four prototype Panasonic AG-3DA1 Camcorders.

He is now in prep on a 3D exercise television program for Travel TV Productions, which is also scheduled to shoot with the AG-3DA1.

A member of the Society of Operating Cameramen, Mr. Gregory authored the controversial article STEREOSCOPIC-3D CINEMA: ANOTHER CYCLE OR HERE TO STAY, which was printed in the Fall/Winter 2007 issue of CAMERA OPERATOR Magazine.

He is a graduate the Cinema Production program at Southern Illinois University as well as of the Directors' Training Program of the Film Industry Workshops at CBS Studio Center.

Michael Kammes

In his current role as Senior Applications Editor at Key Code Media, Michael consults on and demonstrates workflows benefiting the post industry: acquisition, storage, editorial, audio, finishing, and encoding. His background of integration and configuration of both hardware and software, coupled with his production experience, gives him a keen insight into the future of the post industry.

Michael has spent many years on the technical, consulting, and demonstration side of post production. He’s been involved in the design and build of hundreds of NLE systems and facilities, and consulted on even more. He’s also had the privilege of working on many new media and interactive media based projects, from web design to DVD to interactive kiosks. He’s been a keynote speaker at colleges, conventions, technology retreats and symposiums.

His post audio experience encompasses serving as a Dialogue Editor, SFX Editor, ADR Recordist & Editor, Re-Recording Mixer and Supervising Sound Editor on dozens of film, television and internet based projects.

He is currently a member of the MPSE (Motion Picture Sound Editors), an Apple Certified Trainer (Final Cut Pro – ACT FCP), an Avid Certified Support Representative (ACSR), and is constantly becoming certified on latest and greatest post technology has to offer.